Showing posts with label Cahuilla Indians. Show all posts
Showing posts with label Cahuilla Indians. Show all posts

May 31, 2018

The trees of summer: Smoke trees, cacti and palms have long been revered by desert locals

Palm tree in the desert. (Photo: Palm Springs Historical Society/Special to The Desert Sun)

Tracy Conrad
Special to The Desert Sun


Signaling the end of spring, smoke trees in the desert washes become dotted with tiny bluish-purple blooms at the beginning of summer each year.

The color is deep and distinct and has been revered by desert dwellers for decades. Nellie Coffman herself was known to berate anyone who dared chop down a smoke tree.

Most visitors to the desert had no appreciation for the tree having never seen it in bloom. Visitors evaporated from Palm Springs in May as temperatures increased threatening the coming summer.

But local residents, like Coffman, knew better. Agnes Pelton famously painted “Smoke Tree in Bloom” to be auctioned off to benefit the newly formed Desert Art Center.

Carl Bray, fancied for himself the sobriquet “painter of smoke trees” as they featured regularly on his canvases. Other desert artists like John Hilton, William Darling and Jimmy Swinnerton were captivated by the indigo blooms, buzzing with bees, and memorialized their brief early summer show in paint.

Spring in the desert is spectacular, but summer is even more impressive for the cacti, trees and scrubs that survive it.

Wise and observant desert dwellers had special reverence for the plant species found in this harsh environment.

The village of Palm Springs took its name from the indigenous palms, found in the ravines of the surrounding mountains. The native California fan palm signaled the presence of water to early settlers and Native Americans. The Cahuilla used the fruit of the Washingtonia filifera for food and its fronds for weaving and roofing.

The importation of date palms to the area a century ago started the comparison of the Coachella Valley to the deserts of the Middle East and sparked an agricultural industry. Soon there was cultivation of all sorts of palm species as ornamental trees.

Grand allees of palms would soon line the boulevards of Los Angeles and San Diego. In Palm Springs, Ruth Hardy, owner of the Ingleside Inn and the first councilwoman, campaigned for planting palms along both sides of highway 111, engendering its name of Palm Canyon Drive.

Soldiering trees marched all the way to the Indian Canyons where the native palms could be found in abundance; the basis for the village itself.

The original summer survivor in the desert is, of course, the cactus. Reverence for its diversity was elevated to an art form by Chester “Cactus Slim” and Patricia Moorten. The Moortens famously saved cacti in the path of road construction for use as ornamentals in gardens.

They collected unusual specimens from all over the desert southwest and Baja Mexico, bringing them home to Palm Springs and transplanting them into the garden plot around their new home (purchased from photographer and painter Stephen Willard who was leaving town because it had gotten too crowded.)

A botanist trained at University of Southern California, Patricia published her classic book, “Desert Plants for Desert Gardens” much before the idea of using native plants in a sustainable way became the norm. The magazine Popular Mechanics even featured an article on the Moortens in March of 1960.

The Moortens’ appreciation of cacti was akin to Nellie’s reverence of smoke trees. Locals survived through the tough summers to be rewarded with mild winters and glorious springs, just like native trees, scrubs and cacti.

Locals tried to cultivate an appreciation of the subtleties of desert plants by memorializing the spectacular blooms in postcards and pictures. And they tried to inculcate that appreciation through guidebooks for newcomers.

Melba Bennett, the founder of many Palm Springs institutions including the “Palm Springs Hat,” the Palm Springs Historical Society and the Palm Springs Garden Club, wrote a little book just for this purpose. Meant to help new arrivals cultivate a proper desert garden, her little book had practical advice and was annotated in the margins with little whimsical doodles to emphasize her points. The book contains charming descriptions and recommendations gleaned from years of hard work and experimentation in her garden at Deep Well Ranch.

Plants were chosen for their riot of blooms in springtime and their ability to survive the blistering heat of summer.

The diminutive indigo blooms of smoke trees were complemented by the exuberant deep orange bouquets offered by Poinciana, Mexican bird of paradise.

Bennett counseled a variety of colors and shapes in the composition of a garden, and a rotation of flowering to provide interest in the garden through the coming long summer months.

November 25, 2010

Demolition crews take down Carl Bray house

The Carl Bray House and Gallery was demolished and will soon be replaced with an “interpretive exhibit” to showcase artifacts from the historic site. (Courtesy of the City of Indian Wells)

Mariecar Mendoza
The Desert Sun


The last of the Carl Bray House and Gallery has been torn down to replace what the Indian Wells City Council called an “attractive nuisance” with a safer alternative.

Demolition of the more than 50-year-old building began last week, with final work completed Wednesday, Indian Wells officials said.

On Nov. 4, the City Council approved the demolition and gave the green light for city staff to move forward with work on an “interpretive exhibit” to showcase artifacts from the historic site.

The demolition was the result of more than a year of debate between city officials and residents who wanted to preserve the historic building.

The building was named after Bray, an artist known nationally for his desert landscapes and smoke tree paintings and has been a staple of the city since the early 1950s.

The city purchased the 14,148-square-foot site in January 2009 for nearly $260,000 claiming the structure posed a “safety hazard.”

The city spent $56,000 for the environmental impact report and legal services needed to ensure a vetted process.

The demolition cost about $58,000, said Community Development Director Corrie Kates.

Had the city decided to rehabilitate the building, city officials said it would have cost an estimated $960,000.

“We tried our best to save something of old Indian Wells,” said Adele Ruxton, president of the Indian Wells Historic Preservation Foundation, who fought to preserve the historic site.

“I hope that whatever appears as the interpretive exhibit on the Carl Bray site really depicts not only the artist who lived and worked there, but tells the story of old Indian Wells when it was but an Indian Village.”

March 12, 2009

Historical Society of Palm Desert honors area artist

Works by three desert landscape painters, all over the age of 90, Carl Bray, Bill Bender and Sally Ward are featured in the show that runs through March 14.

Artist Carl Bray, 91, of Banning, autographs Lee Ulmer's photo of one of Bray's paintings she has at her Palm Desert home, as Vyrla Neal, of Coachella, looks on during a gallery show at the Palm Desert Historical Society.(Richard Lui, Palm Desert Sun)



Jamie Lee Pricer
The Desert Sun


On March 6, the Historical Society of Palm Desert honored a trio of venerable desert artists, including Carl Bray, whose Indian Wells home and studio on Highway 111 has been a valley landmark for more than 50 years.

His canvas of choice is a slab of masonite, perhaps because it is a sturdy medium when you paint in railroad yards or out in the desert.

His most popular subject is the wispy smoke tree that grows in washes.

His painting — influenced by days spent near the Salton Sea with iconic desert artists such as John Hilton, Maynard Dixon, Bill Bender and Clyde Forsythe — ranks him as a prized California artist.

His Indian Wells gallery was a Coachella Valley landmark for nearly 50 years.

Carl Bray was born in 1917 in Prague, Okla. He studied art during the Great Depression at Miami College in the Dust Bowl state, while working on farms to pay his tuition.

He moved west to find work in 1936 and landed a job with the railroad in Southern California, where he worked for more than 40 years.

He married his wife, Luella, in 1939. The young couple moved 20 miles east of Niland, little more than a lonely railroad siding. Despite the lack of creature comforts, including air conditioning, the Brays learned to love the desert, and it was here that a shy Bray met the other iconic artists.

The railroad job took Bray and his wife to the Los Angeles area during WWII, where they bought property in rural El Monte, built a house and started their family of four children.

The desert beckoned, though. In the early 1950s, Bray bought a Highway 111 frontage lot in Indian Wells for $1,000. Working weekends and vacations, he built a house and gallery, and the family moved to the desert in 1953. Their backyard, now a golf course, was once the site of one the largest Cahuilla villages in the valley, Kavinish.

At the time there was little development in Indian Wells. The Brays' neighbors included a few cabins, a dance hall, two small groceries, two gas stations, a dance hall and a café. By the early 1960s, those businesses had been demolished, and the Bray gallery remained a signal outpost for miles in either direction on Highway 111.

Bray's art was popular, and people, including a steady fan base of celebrities, stopped by the gallery regularly.

Bray continued working for the railroad while his wife ran the gallery. In the early 1960s, the Brays started to spend summers in Taos, where he had a gallery on the plaza for several years.

Bray retired from the railroad and continued to paint. He figures he's painted more than 6,500 smoke trees. Through the years, he has won dozens of art awards, demonstrated art on TV and has one-man shows throughout the nation and overseas. His paintings are owned by celebrities and held by the city of Indian Wells in its permanent collection.

The couple sold their Indian Wells property in about 2000 and moved to Banning.

Luella died a year ago, and the new owners of the Bray property lost it recently to foreclosure. It's now owned by Indian Wells, and the fate of the city's oldest building is not clear.

Ann Japenga contributed to this story.