Showing posts with label Salton Sea. Show all posts
Showing posts with label Salton Sea. Show all posts

December 16, 2016

Delayed Colorado River deal will likely fall to Trump administration to finish

The Colorado River flows near Arches National Park in Utah in February 2016. (Photo: Jay Calderon/The Desert Sun)

Ian James
The Desert Sun


Several months ago, managers of water agencies in California, Arizona and Nevada were expressing optimism they could finalize a deal to use less water from the dwindling Colorado River before the end of the Obama administration.

Now that Jan. 20 deadline no longer seems achievable and parties to the talks acknowledge they likely won’t be able to finish an agreement until at least several months into President-elect Donald Trump’s administration.

With Lake Mead’s water level hovering near record low levels, representatives of the three states, water agencies and the federal government say they’ve made progress in negotiating the so-called Drought Contingency Plan, which would involve temporarily drawing less water from the reservoir near Las Vegas to avert a more severe shortage. The deal is being held up by complications, though, and one of the major sticking points is the Salton Sea.

Managers of the Imperial Valley’s water district, which is the largest single user of Colorado River water, are demanding California officials first present a detailed plan for addressing the Salton Sea’s accelerating decline. They say they want to see a credible “road map” for dealing with the thousands of acres of lakebed that will be left exposed in the coming years and that could turn their valley into a dust bowl, posing a serious public health hazard.

So far, they say they’re still far from satisfied.

“There has got to be a going-forward plan we can believe in at the Salton Sea,” said Kevin Kelley, general manager of the Imperial Irrigation District. “We remain willing, but we’ve got to be able to answer this open question at the Salton Sea.”

Kelley has been voicing that stance for months, and he reiterated his concerns on Thursday in Las Vegas, where he and other managers of water districts from across the West were attending the annual conference of the Colorado River Water Users Association.

“We’ve had more progress at the Salton Sea in the last 14 months than we’ve had in the last 14 years,” Kelley said in a telephone interview. “So we’re closer than we’ve ever been to a breakthrough that the region could believe in. But that isn’t going to be enough. We need to cross the finish line together. And it may be that time’s run out with the current administration and that it extends into the next one.”

After substantial progress in negotiations on the proposed Colorado River drought plan, “the outline of a deal is there,” Kelley said, and IID would like to participate by temporarily storing some of its water in Lake Mead. “But we have this problem at the Salton Sea, that we’ve got to have a clear path forward on in order to participate.”

His district’s unresolved concerns reflect the complexity of the negotiations on the over-allocated and drought-stricken Colorado River. Recalibrating water flows to keep more water in Lake Mead and boost its levels will inevitably lead to less farm runoff flowing into the Salton Sea, which will further accelerate its decline at a time when the Imperial Valley is already transferring increasing quantities of water to cities in San Diego County and the Coachella Valley.

Last month, Kelley laid down a deadline and called for the state to present a plan for the Salton Sea by Dec. 31.

A week ago, the Imperial Irrigation District received an internal draft of the state’s 10-year plan. Kelley said it’s too soon to pass judgment on the unfinished document, but based on his initial review, “it still lacks the specificity that we called for.”

The document, which was obtained by The Desert Sun, summarizes the state’s proposals for a “smaller but sustainable lake” and lays out broad goals for building new wetlands along the lake’s receding shores to cover up stretches of exposed lake bottom and provide habitat for birds.

The document says an estimated 50,000 acres of “playa” will be left dry and exposed around the lake by 2028. The construction of “water backbone infrastructure” is to begin with ponds where water from the lake’s tributaries will be routed to create new wetlands. According to the 24-page document, which describes the Salton Sea Management Program, initial construction will start on exposed lakebed west of the mouth of the New River “to take advantage of existing permits.”

The draft says that in addition to building wetlands, the state also will use “waterless dust suppression” techniques in some areas. Those approaches can include using tractors to plow stretches of lakebed to create dust-catching furrows, or even laying down bales of hay on the exposed lake bottom as barriers to block windblown dust.

Kelley said the document lacks key details on funding and timing. He pointed out that it also doesn’t mention the proposed Colorado River Drought Contingency Plan, or DCP.

“The milestones are, I think, still ambiguous and certainly not enforceable,” Kelley said. “As it stands today, based on what we’ve seen in this response from the state, we cannot participate in a DCP.”

Bruce Wilcox, who was appointed last year by Gov. Jerry Brown to lead the state’s efforts at the Salton Sea, said he expects more details will be added to the plan before it’s publicly released later this month. He pointed out that the plan does include a schedule for the construction of projects, with the aim of keeping up with the rate at which the lakeshore recedes.

“I’m sure IID wants more. It’s difficult to give them more,” Wilcox said. “The next level of detail is where you actually start construction drawings.”

After years of delays, state officials budgeted more than $80 million this year to start building canals and wetlands at the Salton Sea. The federal government announced $30 million this year to support projects at the sea, and newly passed federal water legislation includes an additional $30 million. The state’s 10-year plan will likely cost much more, and it’s not clear where the money will come from.

Wilcox said state officials will prepare an analysis of the costs and funding in the next several weeks.

The Salton Sea was accidentally created between 1905 and 1907, when Colorado River water broke through irrigation canals in the Imperial Valley and flooded into the basin. Since then, the lake has been sustained largely by runoff from the Imperial Valley’s farms, which produce hay, wheat and vegetables like carrots and Brussels sprouts.

A 2003 water transfer deal is sending increasing amounts of water out of the Imperial Valley, and flows of “mitigation water” to the sea will also be cut off after 2017, accelerating the lake’s decline.

Kelley said the state’s plan, as it stands now, seems too ambiguous at a time when the lake is about to shrink so dramatically. The Imperial Valley is already struggling with high asthma rates, and the sea’s decline threatens to release more dust laden with salt, heavy metals and pesticides.

“This is about an existential threat to the public health of the region that we all live in,” Kelley said. “It is unsustainable, untenable that we continue to transfer these large volumes of water outside the region at the same time that we lack any coherent plan – or have any confidence in the clear obligation that we see the state having at the Salton Sea.”

Interior Secretary Sally Jewell also attended the conference, where she met with representatives of states across the Colorado River basin. She expressed optimism that the states will keep making progress toward a deal, and that the U.S. and Mexico are close to finalizing an agreement to replace a Colorado River water accord that expires in 2017.

“We have an agreement that is pending with Mexico that we need to get across the finish line in order to address our water needs between the two countries and a balancing of that, and that has to take first priority,” Jewell told reporters. As for the negotiations between the states, she said, “we want to get as far as we possibly can, and that’s what we’re going to be urging everybody to do.”

Jewell signed a new 20-year framework for managing Glen Canyon Dam and touted government programs that have produced significant water-savings across the Colorado River basin in recent years.

The federal officials at the meeting emphasized that the water challenges along the Colorado River remain daunting. Lake Powell and Lake Mead are holding less than half their full capacity. Lake Mead reached its lowest point on record this year and has recently been at 37 percent full.

The river basin is in a 17-year drought, the most severe in more than a century of record-keeping. Scientists say climate change is increasing the strains on the river, and federal water officials estimate the odds of the reservoir slipping into shortage conditions in 2018 at nearly 50-50.

“The challenges are outpacing the accomplishments at this point in time and that’s the reality, so we need to keep momentum going,” Deputy Interior Secretary Mike Connor said. He said officials from California, Arizona and Nevada are continuing to work on the drought plan, calling it a “complex set of agreements.”

“I think we’re making very good progress. Whether or not we can get that done within this administration is questionable, but we’re still giving it a try,” Connor said. “I’m optimistic that one way or the other, if it’s not by January 20, hopefully it’s within the first few months of 2017.”

Officials with several agencies said they had hoped to finalize a deal before the end of the Obama administration in part because otherwise it takes time for appointees in the new administration to get up to speed on the complex issues of the Colorado River.

Jewell said the negotiations have been productive in moving the parties toward solutions and have prevented political disputes.

“We do not want politics to enter this,” she said.

Both Jewell and Connor stressed that managing the flows of the Colorado River isn’t a partisan issue.

“I think we’ve laid a strong foundation that’s nonpartisan, that’s viewed as good public policy, good strategies to deal with these challenges,” Connor said. “And so I would expect that in some way, shape or form, they will continue into the next administration.”

Rep. Ryan Zinke, Trump’s pick for Interior secretary, has been criticized by environmentalists for his stances in Congress on energy and climate-related measures, as well as his votes relating to clean water protections, wildlife and public lands issues. But it’s not clear how, if at all, he might change the federal government’s current approach to shepherding the Colorado River discussions.

Under the proposals that have been discussed, Arizona and Nevada would forgo larger amounts of water than they have previously agreed to under a first-level shortage at Lake Mead, while water users in California would also pitch in before they would otherwise be legally required to.

Bill Hasencamp, manager of Colorado River resources for the Metropolitan Water District of Southern California, pointed out that the drought plan wouldn’t take effect until 2018.

“So as a practical matter, there isn’t a need to get it done by Jan. 20, provided that the new administration is willing to pick up the ball and continue to run with it. And that’s our hope and expectation,” Hasencamp said. “Everyone is still engaged, still working. But the schedule slips sometimes.”

He said the Salton Sea isn’t the only issue that will require more time to clarify. The Metropolitan Water District has made clear it wants to have a better idea of future reliability of water supplies from the Sacramento-San Joaquin River Delta before it participates in the Colorado River agreement. Hasencamp said the district first wants to see a federal environmental review and pending biological opinions relating to the Delta. Those opinions, when released in March or April, should provide the district with clearer projections of how much water it can count on from the Delta in the future.

Even if the states aren’t ready to announce a deal, the adoption of a plan looks inevitable sooner or later because demands for water are outstripping the available supplies.

“Even if it can’t be signed in the final days of the current federal administration, it'll quite likely be signed sometime in the next year because the cost of inaction is simply too high to the water users in the lower basin,” said Jennifer Pitt, who leads the National Audubon Society’s Colorado River Project.

The decline of Lake Mead threatens not only the water supplies of farms and cities but also the electricity generated by Hoover Dam.

“There is an inevitability because notwithstanding the winds of political change, the fact is that the reservoirs continue to decline,” she said, and it’s an issue that will have to be dealt with.

September 9, 2014

Interpreting the California Desert Landscape With Patricia Chidlaw

Owens Lake 2012 by Patricia Chidlaw
High & Dry
KCET.org


Unbeknownst to each other, L.A. art photographer Osceola Refetoff and Santa Barbara realist painter Patricia Chidlaw were interpreting the same altered landscapes at nearly the same time over the last five years. As Refetoff wrote on the High & Dry website, "Santa Barbara-based painter Patricia Chidlaw recently grabbed our attention with her vivid depictions of California landscapes. Her work includes evocative images of downtown bridge and rail yards along the Los Angeles River and desertscapes of the Mojave and Owens Lake -- all areas of great interest to High & Dry."

If this wasn't remarkable enough, upon closer inspection Refetoff made an "uncanny discovery." "In 2010-2011, Ms. Chidlaw and I were capturing the same scenes -- perhaps within days or hours -- from virtually the same angles. And while her realist paintings were a striking resemblance to photographs, my pinhole exposures might easily be mistaken for watercolors."

After initial email contacts Refetoff and she wanted to explore this synchronistic correspondence in more detail. The first meeting of Refetoff and Chidlaw took place in Los Angeles New Chinatown where he has his studio and home. The second meeting in Santa Barbara was expected to last a few hours, and include a lunch. Nuanced discussion ate up most of the day. In fact, Refetoff and I didn't start south until after the sun had set.

This three person collaboration had begun when I visited the Nevada Art Museum in Reno to see William Fox's Center for Art and Environment. I walked into the second floor galleries and saw an array of paintings that glowed with brilliant, carefully rendered southern California desert light. I knew this person understood our high desert light and also had the skill and craft to capture it. At first I thought these canvases were brilliant photographs.

When I approached the exhibit, I immediately noticed a painting of the Owens Dry Lakebed. In Lone Pine, we call them the 'bathtub rings'. They are high water marks left behind as the lake's water evaporated or was extracted by Los Angeles through the aqueduct. Wonderful, I thought. There is someone who thinks this landmark is worth capturing. When I started to view the other paintings, I discovered an eerie familiarity with some of the urban landscapes, in particular some of the famous bridges that span the L.A. River. Refetoff had taken me to several of these spans. In fact, we had hiked the river for two days as Refetoff photographed identical subjects that Chidlaw had captured in her paintings.

I had always thought of the Owens River- Los Angeles Aqueduct - L.A. River made a new kind of rural/urban riparian highway, connecting these two desert areas, that are historically linked by water. In fact, about 30 percent of the water that flows down the L.A. River to the sea originates in the Owens Valley.

I shared the exhibition catalog with Refetoff. The photographer discovered more shared subjects with Chidlaw. Refetoff states, "For a more nuanced conversation about our approaches to landscape interpretation, we've decided to collaborate and discuss similarities / differences between rendering a scene on canvas vs. film. We also intend to explore the reasons we are drawn to similar subjects and compositions."

The two artists were starting to influence each other in subtle ways. When Refetoff saw a painting Chidlaw had done of a building with large show windows with the Mojave Rail Road tracks behind, he realized he had shot the same locations. Chidlaw had made certain compositional decisions to change elements. Refetoff had rejected his images because they didn't meet his personal standards. Now he had to revisit the photographs because of the painter.

Refetoff wrote to the painter, "Meanwhile. Yet another off-the-beaten location where our paths have crossed. My photo would never have seen the light of day if I hadn't come across your painting on facebook today. Just a quick shot I knocked off as a reminder to return someday 'in better light.' I remember being drawn to this particular intersection because of the streamlined building, the rounded awning and favorable view of the tracks. I also find its signs interesting in sparse desert settings."

Refetoff continued, "What fascinates me here is the difference in the reflections in the window. You have chosen to treat the glass as a perfect plane, the train continuing in a near-straight line, the sharply-rendered Silver Queen mine in the distance. Without a photo to compare, I doubt anyone but a painter would consider how unlikely it is for a bank of windows to reflect without distortion.... By comparison, the 'real' reflection looks like a virtual funhouse mirror."

The photographer added, "I find these odd convergences rich with questions and possibilities."

Refetoff would soon return to Mojave to re-photograph this building in preparation to deepen their discussion. "One thing is certain, painting has inspired me to re-visit the intersection the next time I'm out there. I just love that town."

Refetoff and I arrived at Patricia Chidlaw's 1912 Craftsman house on a Sunday morning. It quickly seemed to the us that we had known each other more than just a few minutes. At first there was small talk, an introduction to her Scottie Dougal, and a tour of the house. After Refetoff helped the artist with some computer/ internet issues, the two began to share his photographs and her paintings in her studio in the back of the house.

The morning gloom started to burn off. The sun poured down from a skylight in the room. Patricia said she felt it was small, but in fact it was full of art in various stages of preparation for an upcoming exhibit. Eventually the three of us looked at many of Refetoff's images on his Mac. Finally Chidlaw remarked, "You must have a million images." In return she has four by five transparencies of most of her sold work. The photographer systematically looked at each image, commenting on some. He culled some for future reference knowing he had shot photographs of the exact spots portrayed in the paintings.

Refetoff made the point that there are so few buildings in the desert that it is probable that every subject you choose has already been worked and reworked by various people before. Then he pulled up the Catholic Church in Randsburg, California, an old mining camp. "Here is an image by a photographer named Ed Freeman, who lives down the street from me. He took the church and replaced the hills and sky among other things, using Photoshop, a computer photography application that Freeman is very adept at employing. The mountains in fact are from Chris' home location, the Owens Valley." Refetoff made the point several times that he didn't have a problem with Ed manipulating his image with Photoshop but that he himself wouldn't do that.

Chidlaw remarked that by using the approach Freeman had turned the church into a cute "little toy." She pointed out that artists for hundreds of years have been dealing with human subject matter that other artists had already done. "In fact one time I was painting a scene in my plein air days in San Jose. A man came up and said he had painted that first." Chidlaw continued, "Like it was his. That he owned it."

Refetoff asked, "What did you say." "Well, the guy was a jerk so I didn't continue with the conversation." After a year, Chidlaw gave up painting on location for various reasons: the inconvenience, the challenges of changing light, carefully managing composition.

We all then looked at a series of paintings Chidlaw had done in the Salton Sea area. As with many visual artists, they both had responded to the landscape of ruin there. Refetoff reiterated it was an area frequently photographed or painted by others. Refetoff had, in fact, just returned from exploring the area. He mentioned his assignment was to find a Salton Sea that "wasn't depressing." "I don't find the Salton Sea depressing but fascinating instead," he explained. (The results of his and my Salton Sea encounter will be featured in the October Issue of Palm Springs Life.)

Chidlaw agreed immediately about that area not being depressing. Again, both of them had worked there in parallel, attracted to similar landscapes including Bombay Beach.

Refetoff and Chidlaw are interested in going out to locations together and developing protocols on how to collaborate in the work. Chidlaw had made it clear she photographs specific areas and then returns to her studio to sketch a composition in red lines and then paint. They will share photographs, accept challenges from each other, or in other ways stimulate their creativity through a unique collaboration.

The interface of painting and photography has been energizing, with controversial encounters since the discovery of photography. Its pros and cons are still debated by artists and critics from each of the disciplines. Research is revealing that many great painters were "closet" photographers and used the medium in their work in many ways. The Impressionists on the Normandy Coast, Corot, Thomas Eakins, Degas and modern masters like Hockney, Picasso, Andy Warhol and Ian Wallace have all talked and written about painting and photography in their practice now.

My job is to capture the process, explorations and collaborations between Refetoff, Chidlaw and desert landscapes as well as L.A. riverscapes. I will be an active participant, not a detached reporter. While others have traveled these creative paths to some extent before, much of this collaborative landscape remains still to be discovered.

As the photographer, writer and the painter continued to talk into the fading light, more and more questions arose, frequently punctuated with new insights about their shared collaboration. New and deeper answers undoubtedly lay ahead.

High & Dry surveys the legacy of human enterprise in the California desert. Together, writer/historian Christopher Langley and photographer Osceola Refetoff document human activity, past and present, in the context of future development.

August 17, 2014

'Alarming' Rate Of Bird Deaths As New Solar Plants Scorch Animals In Mid-Air

Solar panels stand at the Ivanpah Solar Electric Generating System in the Mojave Desert near Primm, Nevada, U.S., on Monday, March 10, 2014. (Bloomberg via Getty Images)

By Ellen Knickmeyer and John Locher
Associated Press


IVANPAH DRY LAKE, Calif. (AP) — Workers at a state-of-the-art solar plant in the Mojave Desert have a name for birds that fly through the plant's concentrated sun rays — "streamers," for the smoke plume that comes from birds that ignite in midair

Federal wildlife investigators who visited the BrightSource Energy plant last year and watched as birds burned and fell, reporting an average of one "streamer" every two minutes, are urging California officials to halt the operator's application to build a still-bigger version.

The investigators want the halt until the full extent of the deaths can be assessed. Estimates per year now range from a low of about a thousand by BrightSource to 28,000 by an expert for the Center for Biological Diversity environmental group.

The deaths are "alarming. It's hard to say whether that's the location or the technology," said Garry George, renewable-energy director for the California chapter of the Audubon Society. "There needs to be some caution."

The bird kills mark the latest instance in which the quest for clean energy sometimes has inadvertent environmental harm. Solar farms have been criticized for their impacts on desert tortoises, and wind farms have killed birds, including numerous raptors.

"We take this issue very seriously," said Jeff Holland, a spokesman for NRG Solar of Carlsbad, California, the second of the three companies behind the plant. The third, Google, deferred comment to its partners.

The $2.2 billion plant, which launched in February, is at Ivanpah Dry Lake near the California-Nevada border. The operator says it is the world's biggest plant to employ so-called power towers.

More than 300,000 mirrors, each the size of a garage door, reflect solar rays onto three boiler towers each looming up to 40 stories high. The water inside is heated to produce steam, which turns turbines that generate enough electricity for 140,000 homes.

Sun rays sent up by the field of mirrors are bright enough to dazzle pilots flying in and out of Las Vegas and Los Angeles.

Federal wildlife officials said Ivanpah might act as a "mega-trap" for wildlife, with the bright light of the plant attracting insects, which in turn attract insect-eating birds that fly to their death in the intensely focused light rays.

Federal and state biologists call the number of deaths significant, based on sightings of birds getting singed and falling, and on retrieval of carcasses with feathers charred too severely for flight.

Ivanpah officials dispute the source of the so-called streamers, saying at least some of the puffs of smoke mark insects and bits of airborne trash being ignited by the solar rays.

Wildlife officials who witnessed the phenomena say many of the clouds of smoke were too big to come from anything but a bird, and they add that they saw "birds entering the solar flux and igniting, consequently become a streamer."

U.S. Fish and Wildlife officials say they want a death toll for a full year of operation.

Given the apparent scale of bird deaths at Ivanpah, authorities should thoroughly track bird kills there for a year, including during annual migratory seasons, before granting any more permits for that kind of solar technology, said George, of the Audubon Society.

The toll on birds has been surprising, said Robert Weisenmiller, chairman of the California Energy Commission. "We didn't see a lot of impact" on birds at the first, smaller power towers in the U.S. and Europe, Weisenmiller said.

The commission is now considering the application from Oakland-based BrightSource to build a mirror field and a 75-story power tower that would reach above the sand dunes and creek washes between Joshua Tree National Park and the California-Arizona border.

The proposed plant is on a flight path for birds between the Colorado River and California's largest lake, the Salton Sea — an area, experts say, is richer in avian life than the Ivanpah plant, with protected golden eagles and peregrine falcons and more than 100 other species of birds recorded there.

U.S. Fish and Wildlife Service officials warned California this month that the power-tower style of solar technology holds "the highest lethality potential" of the many solar projects burgeoning in the deserts of California.

The commission's staff estimates the proposed new tower would be almost four times as dangerous to birds as the Ivanpah plant. The agency is expected to decide this autumn on the proposal.

While biologists say there is no known feasible way to curb the number of birds killed, the companies behind the projects say they are hoping to find one — studying whether lights, sounds or some other technology would scare them away, said Joseph Desmond, senior vice president at BrightSource Energy.

BrightSource also is offering $1.8 million in compensation for anticipated bird deaths at Palen, Desmond said.

The company is proposing the money for programs such as those to spay and neuter domestic cats, which a government study found kill over 1.4 billion birds a year. Opponents say that would do nothing to help the desert birds at the proposed site.

Power-tower proponents are fighting to keep the deaths from forcing a pause in the building of new plants when they see the technology on the verge of becoming more affordable and accessible, said Thomas Conroy, a renewable-energy expert.

When it comes to powering the country's grids, "diversity of technology ... is critical," Conroy said. "Nobody should be arguing let's be all coal, all solar," all wind, or all nuclear. "And every one of those technologies has a long list of pros and cons."

June 27, 2014

Imperial Irrigation District pitches Salton Sea plan

A plan to increase renewable energy production in and around the Salton Sea — and have utilities help finance the ailing lake’s ultimate restoration — was touted on Capitol Hill this week. (Photo: Omar Ornelas/The Desert Sun)

Raju Chebium
The Desert Sun


WASHINGTON – A plan to increase renewable energy production in and around the Salton Sea — and have utilities help finance the ailing lake's ultimate restoration — was touted on Capitol Hill this week.

Bruce Wilcox, a Salton Sea expert at the Imperial Irrigation District, said the agency's plan would generate about $3 billion over 30 years.

It won't be enough on its own to restore the 376-square-mile lake. But the plan, building momentum since last fall, represents a workable funding solution that has long eluded state and local officials.

Wilcox said it also gives Southern California's congressional delegation and local officials involved in the restoration more ammunition when they ask for the Obama administration's endorsement.

Since 1985, the federal government has contributed about $52 million to Salton Sea restoration, mostly for experimental projects, water-quality and salinity studies and ecosystem monitoring that experts say has helped them understand the science behind the lake's problems.

"What I think (federal officials) should be providing now is money to build things there," Wilcox said after speaking at an event organized by The Wilderness Society to highlight the need for more renewable energy projects on public lands nationwide.

"We're at a point now where we need to start a field laboratory approach – build a 1,000 acres, see how it works and adjust it accordingly," he added. "This is an attempt to get us started in small increments moving toward that bigger restoration."

U.S. Rep. Raul Ruiz said he is pushing the Obama administration to create a renewable-energy zone in the Salton Sea. That would be a preliminary step in making the IID project a reality.

In a brief interview after The Wilderness Society's event, where Ruiz was honored for his efforts to promote renewable energy projects on federal land, Ruiz said saving the Salton Sea requires widespread support.

"This is an all-hands-on-deck project," said the Palm Desert Democrat, who is a member of the House Natural Resources Committee.

"We need the federal government, state government, local government; we need private business. We need the tribes and we need the philanthropists."

State, local and federal leaders for years have debated how to save the dying Salton Sea, only to shelve the plans because of the huge costs associated with the project.

A $9 billion restoration plan unveiled by state leaders in 2007 never got an the California Legislature's endorsement or financing.

The sea's future has become a more pressing issue as time passes. A massive agriculture-to-urban water transfer scheduled for 2017 will further shrink the sea, expose potentially hazardous lake bed and cause widespread air quality and environmental woes.

The IID plan has yet to win state or federal blessings.

In an interview from California, IID General Manager Kevin Kelley said the plan does have the backing of the Riverside County Board of Supervisors.

The IID still awaits a response to a request to the Interior Department, made in February, to commit to allowing renewable energy projects on 80,000 acres it owns in the Salton Sea, he said.

The IID has already pledged to expand clean energy production on 120,000 acres it owns.

Much of that land is now under water, but is expected to become dry after 2017 as the Salton Sea recedes.

"I'd like to have a meaningful expression of support. I'd like a partner," Kelley said. "Getting the land commitment is a start. I'd like to add the 80,000 acres to the available inventory."

The Wilderness Society, or TWS, is backing House and Senate bills filed last year that would expand renewable energy on federal lands and use some of the money to shore up conservation efforts like in the Salton Sea.

But those measures haven't advanced and are unlikely to gain traction before the November elections.

Joshua Mantell, a government relations official at TWS, said he's optimistic Congress will pass the proposal after the election but before the end of this year.

October 29, 2013

Imperial Valley's pact could help save the Salton Sea

Members of the Imperial Irrigation District board of directors, the Imperial County board of supervisors, and other officials commemorate the signing of memorandum of understanding at Red Hill Marina on Oct 24 at the Salton Sea. ( Jay Calderon/The Desert Sun)

Opinion

Written by The Editorial Board
Desert Sun


The pledge by three Imperial County entities to develop renewable energy projects to generate money for the restoration of the Salton Sea could be a big step. Progress is long overdue in a decades-long debate that has been incredibly frustrating for those of us who see the future of the shrinking sea as the region’s largest pending threat to public health and the environment.

Finally, the Imperial Irrigation District (IID), Imperial County and the Imperial County Air Pollution Control District are on the same page. Representatives last week signed a memorandum of understanding to work together on geothermal and other renewable energy projects, and to work with the state to build transmission lines to bring that power to California’s grid.

A preliminary IID study estimates these projects could generate $3 billion in revenue for restoration projects. That’s three times higher than an earlier estimate and the most significant potential investment we’ve seen yet.

With the closure of the San Onofre Nuclear Generating Station, there is a strong need for new sources of power in Southern California. It could be a huge opportunity.

As promising as it may sound, we’re skeptical. Power plants like this take huge capital investments and years to make it through the regulatory process. Even with the state’s mandate of generating at least a third of its power from renewable sources by 2020, the energy market is hard to predict.

Utilities are looking for the cheapest sources of energy available, as they should on behalf of their customers.

If the fracking program approved by the Legislature this year generates the mother lode of natural gas that has been predicted, building transmission lines to reach the remote southern end of the Salton Sea might not be the top priority.

The Quantification Settlement Agreement, the nation’s largest agriculture-to-urban water transfer from Imperial County to San Diego County, takes full effect at the end of 2017. At that point, mitigation flows will cease, which could expose more of the lake bed, allowing fine dust to become airborne in the desert wind and create a health hazard. There is a sense of urgency.

Whether the renewable project can come online and generate a revenue stream within the next four years is a big question.

Assemblyman V. Manuel Pérez’s determination is admirable. He is cosponsoring Senate Bill 760 with Sen. Rod Wright, a Democrat from Inglewood, which would elevate geothermal power in the state’s energy procurement process.

Another bill, AB 177, would direct retail sellers of electricity to adopt long-term strategies to reach even loftier goals for renewable energy — more than half the state’s power by 2030 and 80 percent by 2050.

Both bills are pending until the Legislature reconvenes in January.

Tapping into the sea’s vast potential of geothermal energy also fits with the new commitment to reduce greenhouse gases made by Gov. Jerry Brown, who signed a climate change pact Monday with the governors of Oregon and Washington and the environmental minister of British Columbia.

It is good that the Imperial County power brokers are now united in their Salton Sea strategy. That wasn’t always the case, Pérez said.

“That made it difficult, quite frankly, for folks like myself at the state level to advocate on behalf of our locals here,” he said.

Kevin Kelley, IID’s general manager, said he hopes this show of unity will push state legislators to finally address the plan that was devised by state water officials in 2007 but never voted on.

When lawmakers gather in two months in Sacramento, they should debate serious and swift solutions for the Salton Sea. The folks who live around the sea are committed. They have an aggressive plan of action, although it might be overly ambitious. We may not be able to wait for the geothermal genie to rise up and save us.

February 22, 2013

Banning, Beaumont Assemblyman Wants Salton Sea Restored

"There was a time when the Salton Sea attracted more visitors per year than Yosemite," Nestande said. "I want to empower the Salton Sea Authority so they can return the area to the recreation and destination site it once was."

North Shore Yacht Club, Salton Sea. (Photo: Renee Schiavone)
By Renee Schiavone
Banning-Beaumont Patch


Palm Desert's assemblyman has proposed legislation this week to spur action on restoring the shrinking Salton Sea by allocating $50 million for projects overseen by the Salton Sea Authority.

Assemblyman Brian Nestande, R-Palm Desert, introduced Assembly Bill 709 ahead of a hearing Friday in Mecca, during which representatives from government and private organizations will address the sea's needs.

"The issues surrounding the restoration of the Salton Sea have been going on for far too long," Nestande said. "State and federal inaction has stymied restoration progress. We need to return control to the Salton Sea Authority as the lead agency so they can move forward."

AB 709 would require that $50 million in Proposition 84 bond revenue be earmarked for sea improvements and would direct the California Wildlife Conservation Board to apply for matching federal funds in support of restoration.

The Salton Sea Authority would take charge of all projects under Nestande's bill. Currently, the SSA -- composed of officials from Riverside and Imperial counties -- acts primarily in an advisory capacity.

"There was a time when the Salton Sea attracted more visitors per year than Yosemite," Nestande said. "I want to empower the Salton Sea Authority so they can return the area to the recreation and destination site it once was."

According to the assemblyman, the SSA would have to develop a concrete restoration plan that passes muster with the state Legislative Analyst's Office, after which funds would be made available.

Nestande's bill follows several proposals introduced last month by Assemblyman Manuel Perez, D-Coachella, that address funding for a restoration feasibility study and mitigation measures necessary to prevent environmental damage that might result from changes to the sea.

The 365-square-mile body of water -- the largest part of which lies in Imperial County, with the north portion stretching to within a few miles of Thermal -- has been plagued with increasing salinity over the last 40 years, to the point that some of the sea's deeper places are saltier than the ocean.

According to studies, nutrient compounds from agricultural runoff have created a "eutrophic" condition where high levels of hydrogen sulfide and ammonia kill fish and produce gagging odors.

Water reclamation plans by local agencies and Mexico, as well as a reduction of Colorado River supplies, will shrink the sea in the coming years, according to the Salton Sea Authority.

Assemblyman Nestande serves the communities of Banning, Beaumont, Cabazon, Calimesa, Cherry Valley, Hemet, Indian Wells, La Quinta, Palm Desert, Palm Springs, Rancho Mirage, San Jacinto, White Water, 29 Palms, Joshua Tree, Landers, Morongo Valley, Pioneer Town, Yucaipa, and Yucca Valley.

September 12, 2012

Stinky L.A. smell tied to dead fish in the Salton Sea, officials say

Dead fish along the Salton Sea shoreline in southern California. The South Coast Air Quality Management District acknowledged the possibility that dead fish at the Salton Sea are partially to blame for the rotten-egg smell reported all day Monday. (AP Photo/Nick Ut)

Los Angeles Times

Regional air-quality managers on Tuesday said that the rotten egg odor that hit Southern California on Monday came from dead fish in the Salton Sea.

Air samples collected in the Coachella Valley, near the Salton Sea and elsewhere clinched inspectors’ suspicions of the 376-square mile, murky body of water as the source of the pervasive smell. Atwood said AQMD inspectors collected air samples which contained hydrogen sulfide.

Inspectors found concentrations of the gas, a product of organic decaying matter, heaviest close to the Salton Sea, with a pattern of decreasing concentration farther away.

“We now have solid evidence that clearly points to the Salton Sea as the source of a very large and unusual odor event,” said Barry Wallerstein, executive officer of the South Coast Air Quality Management District.

How unusual? As late as Monday night, AQMD officials weren’t even sure it was scientifically possible for a malodorous scent to trek the distance the Salton Sea’s fumes did. So they asked an air-quality modeler to use sophisticated computer modeling to find out if it was “theoretically possible” for a stench to travel that far.

“I think we’ve shown it was theoretically possible,” said Sam Atwood, a spokesman for the AQMD. “But this is just something we did not expect.”

Inspectors ruled out landfills, oil refineries and a natural springs site as possible sources.

“The air samples were the final piece of the puzzle,” Atwood said. “Our inspectors did go out to the Salton Sea and did smell some very strong odors at the sea, as well as at the locations leading up to it.”

But it took the might of a powerful storm blowing from the southeast to bring the stench of the Salton Sea to L.A. All in all though, L.A. got lucky, compared with the town of Mecca, just north of the Salton Sea, and Indio, which received larger doses of the gaseous, funky odor.

“The storm originated in the Gulf of California and the Sea of Cortez and hit the Imperial Valley and Salton Sea,” said Tim Krantz, a professor of environmental studies at the University of Redlands. “We had huge squalls and pretty heavy winds in the Coachella Valley. The winds pull the surface layers of the sea off from the southeast to northwest, and that surface water is replaced from the depth.”

And those depths are all kinds of stinky.

Experts said the winds from the Sunday night storm unsettled the fetid layers of water near the bottom of the sea, bringing them to the surface.

Andrew Schlange, general manager of the Salton Sea Authority, said that in the last week, a large number of fish died in the body of water, likely exacerbating the problem. But he said the fish die-off, which is a normal occurrence, was not significant enough on its own to explain the well-traveled odor.

Rather, he said, the storm upset an anaerobic—or oxygen-deprived—lower layer of the sea, where organic material lays decomposing, releasing the noxious hydrogen sulfide gas, with its distinct rotten egg smell.

The good news was that by Tuesday the odor had greatly diminished. As of about 5:30 p.m. Monday, there had been 235 complaints about the smell, Atwood said. Since then, there have been less than 10, though the “sulfur-type” odor still lingered in some parts of the region.

Atwood said a meteorologist for the AQMD has looked at the thunderstorm reports, and that along with wind-measuring instruments in the Coachella Valley, they determined that winds of more than 60 mph blowing from the southeast probably blew the rank odor to the L.A. Basin.

“That’s unusual because usually the winds are blowing in the opposite direction,” he said.

The Salton Sea has lost much of its depth. It's about 50 feet at its deepest point, with an average depth of about 30 feet, Schlange said. That means it doesn’t take as potent a weather event as it did in the past to cause an upswell that sends the water near the bottom to the top.

Schlange said the Salton Sea is losing much more water through evaporation than is being replenished through agricultural runoff and other sources. If water wasn’t flowing into the sea, it would lose a depth of about 4 to 6 feet a year through evaporation.

If something isn’t done to better replenish the Salton Sea, Schlange said issues with far-flung odors could be more common in the future. He said there’s a plan to do mitigation work on the sea, but money to fund it is lacking.

“All of a sudden Sunday evening, we had all these conditions that came together to allow something like this to occur,” Schlange said. “It’s occurred before, but not at this magnitude.”

November 29, 2011

Finding a fix for dying Salton Sea

After years of inaction by state, lawmaker wants to put regional group at helm

Pelicans fly to Mullet Island, one of the four Salton Buttes, small volcanoes on the southern San Andreas Fault, after sunset on July 2 near Calipatria. Scientists say Mullet Island, the only place for many thousands of island-nesting birds to breed at the Salton Sea, will become vulnerable to attacks by predators such as raccoons and coyotes if the water level drops just a couple more feet. (David McNew/Getty Images)

Marcel Honoré
The Desert Sun


NORTH SHORE — As state lawmakers held their first summit in more than four years on the looming death of the Salton Sea, Sonia Herbert gazed out the window at the North Shore Beach & Yacht Club marina, where squawking seabirds swooped across the glassy sea surface, fishing for tilapia.

Like most of the 60 people who attended Monday's hearing, Herbert, who has lived in Bombay Beach since the 1970s, fears the worst: that time is running out on efforts to repair the sea and sustain its wildlife, and that overwhelming public health and economic crises will follow.

“All we've seen is studies, studies, studies and nothing has been done,” a visibly frustrated Herbert told Assemblyman V. Manuel Pérez and two Assembly budget committee members. “What's going to happen if we don't do something?”

The state remains broke, and its preferred $9 billion sea restoration plan has languished since 2007.

Sticker shock over the restoration cost has led to political paralysis, but Pérez, a Coachella Democrat whose district includes the sea, has called its restoration his top priority for the rest of his legislative tenure.

At the hearing, which Pérez's office organized, he listened to county supervisors, residents and environmental advocates call for the state to relinquish control and to let locals settle on the best plan to restore the sea and the best way to pay for it.

“The sea needs help and it needs it now. The answer isn't big brother riding to the rescue, because he's not coming. There is no rescue,” Imperial County Supervisor Gary Wyatt told Pérez and two other Assembly members, Republican Brian Jones of Santee and Democrat Richard Gordon of Menlo Park.

“We need to drive this train,” said Wyatt, quoting longtime Riverside County Supervisor Roy Wilson, who died in 2009.

Wyatt and others pushed public-private partnerships on new geothermal and solar energy projects at the sea as a realistic way to tap dollars for Salton Sea restoration.

Wyatt proposed taking a 7,000-acre former military test site at the sea's south shore, now controlled by the federal Bureau of Land Management, and converting it into a renewable energy depot that he said could provide 700 megawatts of power and produce at least $40 million a year in restoration funds.

Unlike redevelopment funds, that money would be exempt from state seizure, Wyatt said after the meeting.

“The interest is here, not there,” Riverside County Supervisor John Benoit said, referring to Sacramento. “What we need is the authority. If we fix this sea… the economic advantages to this area (are) nearly unlimited.”

Pérez said he hoped the hearing would help drum up support in the Legislature for his AB 939 bill, a proposal to switch the authority from the state's Salton Sea Restoration Council — a body that has never met — and place it in the hands of the local Salton Sea Authority, a joint-powers authority of the local counties and local water districts, along with some state presence.

“I'm optimistic that we can find a way if we work together and there's a political will from all levels of government including grassroots,” Pérez said. “Part of the reason why we have not been able to move forward is we're all moving in so many different directions. We need to find consensus to what the issues of the Salton Sea are.”

As runoff from irrigation and other water transfers evaporate, the Salton Sea's salinity has risen while its mass has shrunk. By the end of this decade, its retreat will be even more dramatic.

Created by flooding in 1905 and without a new source of water to replenish it, California's largest lake will grow uninhabitable to fish and the thousands of migratory birds that feed on them.

The exposed lakebed and the dust it generates could be disastrous in an area that already has one of the nation's highest rates for youth asthma, officials say. It also would damage agriculture and tourism.

State budget analysts at the hearing Monday reported that tens of millions of dollars in state bond funds from Propositions 50 and 84 have been spent on proposals for the sea's multi-billion-dollar fix, though exactly where the money went wasn't made clear.

“We've spent more than half our bond money … We don't have much to show for it, frankly,” said Kimberley Delfino, California program director of the national nonprofit Defenders of Wildlife.

“This is shameful and frightening,” Delfino said. “When you've lost 95 to 98 percent of the wetlands in California, the birds don't have any other place to go. The situation at the Salton Sea is grim and the stakes are high. We need a new governance structure, now. There isn't a lot of time left.”

As for the immediate next step, Pérez said he hopes for a meeting between Defenders of Wildlife, the Salton Sea Authority, the state's Legislative Analyst's Office, and other stakeholders.

“The sea still has its strong supporters, fighters and believers,” Wyatt said. “There are ways to make the revenues happen.”

June 1, 2011

The New Sublime

Artists working at the Salton Sea capture the beauty and decay with a fresh perspective

Christopher Landis, North Shore Yacht Club Pool, 1994, digital print, 30x40 inches

Ann Japenga
Palm Springs Life


You drive in from Interstate 10 or Palm Springs, turn south at Mecca, and pass fields of peppers and the old artists’ colony called Desert Camp. When you see the first glint of blue in the distance, your spirits likely will lift. A giant lake in the desert is a miracle in light, space, and water. Enjoy that first glance at the Salton Sea.

What you see and feel next will vary. If you were raised on Sierra Club calendars and Ansel Adams panoramas, you might focus on the crumpled Mecca Hills and the big vistas of the Santa Rosa Mountains across the sea. If you grew up with Love Canal and Chernobyl, you might zero in on abandoned trailers, dying palms, and fish bones.

For decades, artists have come to the sea to put their stamp on its waters. In April, the Salton Sea History Museum in the restored North Shore Yacht Club opened its inaugural exhibition, Valley of the Ancient Lake: Works Inspired by the Salton Sea.

Curated by Deborah Martin (with historical works and memorabilia provided by Jennie Kelly), the exhibition features 10 artists who focus their work on the sea. To contextualize their paintings, drawings, and photographs, it’s helpful to know they follow the path of several generations of artists.

The first artists influenced by the sea lived around its shore and made art from the land itself. Indians carved petroglyphs in the boulders and scratched pictures in the tufa of the ancient shoreline. Native American potters made ollas from the milky-white clay cradling Agua Grande (an Indian name for the sea).

Next, expedition artists accompanied railroad surveys. In 1853, artist Charles Koppel came through with geologist William Blake and made etchings of Travertine Point and the ancient shoreline across the sea from the yacht club. For a while, the inland lake was called Blake’s Sea.

After the expedition artists, California Impressionist painters brought the style of capturing light that spread from France to the U.S. East Coast and finally to California and the desert in the early 1900s. There were no sunken trailers then, but still the desert was foreign to artists from greener places. Some saw bleakness and desolation. Others — such as Fred Grayson Sayre — saw paradise. Art collector Allan Seymour was so inspired by Sayre’s vision of “the Turquoise Sea” that he bought a home at North Shore.

As Impressionism faded, a lively and little-known era in Salton Sea art began. In 1940, one of the great Western artists, Maynard Dixon, lived in a shack along the Southern Pacific Railroad tracks near North Shore. He made a sketch for his painting Destination Unknown with fellow artist John Hilton posing as a hobo. Painters Jimmy Swinnerton and Clyde Forsythe visited him at the shack he called Desert Camp, as did Indian Wells artist Carl Bray and Desert Magazine Editor Randall Henderson.

Los Angeles Times columnist Ed Ainsworth bought property at North Shore and built a housing development known as Palm Island Estates, which eventually found Hilton, Swinnerton, Forsythe, Orpha Klinker, and Bill Bender congregating for his makeshift salon. Ainsworth’s 1960 book Painters of the Desert remains the classic on early desert painters.

By the time Ainsworth died in 1968, the open landscape had given way to tract housing and freeways. Flooding from storms damaged the yacht club jetty and submerged buildings along the shoreline. Agricultural runoff polluted the sea and repelled tourists. The increasing salinity of the water gummed up boats’ engines, and water-skiers decamped for the Colorado River. The yacht club became an emblem of decay. For a growing number of Americans, their only exposure to the Salton Sea came from Goth fashion photos taken at the pigeon-infested, graffiti-scarred, busted-up yacht club.

As the land changed, a new wave of artists tackled the degradation head-on. In the 1970s, the New Topographics photographers declared “an end to romantic nature.” Photographers Robert Adams, Lewis Balz, and others influenced young artists and photographers nationwide to turn toward the man-mauled, nonidealized landscape.

Valley of the Ancient Lake showcases the traditional, apocalyptic, and everything in between. Martin, a realist painter, places ruined buildings within luminous landscapes, while Eric Merrell works his canvases in the Early California tradition.

Beautifully tragic photographs by Christopher Landis, Kim Stringfellow, and Bill Leigh Brewer long to save the sea, while interventionist Cristopher Cichocki says his images of DayGlo-painted dead fish help bring forth “a new awareness of man and nature in conflict.”

Seymour found plein air artist Andrew Dickson painting one day on a ridge near his North Shore home and invited him to dinner. That’s how glad he was to see a traditional landscape painter at the Salton Sea. (Dickson has been coming to North Shore to visit his grandparents since age 7; his grandmother still lives there.)

Some art critics have foretold the dawning of a New Sublime, a return to the pastoral vision of America’s early landscape painters but with a contemporary edge we haven’t even thought of yet.

It comes back to that longing for the sea. If their longing is pure and sustained, the artists you see in this exhibition might be the ones to accomplish what politicians and environmentalists have so far been unable to achieve: to dream back Blake’s Sea, dream back Agua Grande.

Salton Sea From the North Shore, 2011
Mary-Austin Klein, oil on Dura-Lar mounted on board, 10x34 inches

Information: http://www.saltonseamuseum.org/

December 12, 2009

Judge rules against landmark 2003 state water pact

If the tentative ruling is upheld, the agreement aimed at reducing California's reliance on Colorado River water would be voided.

By Bettina Boxall
Los Angeles Times


The Salton Sea, California's largest inland lake, is located in the Salton Sink, a natural below sea-level depression extending from Palm Springs, California, on the north to near the Gulf of California on the south. California's open-ended pledge to fund restoration was found to violate the state Constitution.

A state judge appears poised to throw out a landmark pact involving California's use of Colorado River water.

If upheld, Thursday's tentative ruling by a Sacramento County Superior Court judge would unravel a complex 2003 agreement that put the state on a timetable to reduce its reliance on the Colorado River.

Brokered by federal, state and regional officials, the deal also established a program of farm-to-city water sales that are playing a growing role in Southern California's water supply.

"It's very serious," said Jeffrey Kightlinger, general manager of the Metropolitan Water District of Southern California. "There will be appeals. It's going to be some time before we know what it all means and what the impact is."

Ironically, the action comes in a case in which Judge Roland L. Candee was asked to validate the agreement.

Examining the 13 contracts that make up the deal, Candee focused on those involving a state commitment to help fund restoration of the Salton Sea in Imperial County.

The judge concluded that the language amounted to a blank check in which the state was promising to fund restoration, even if it cost billions. Such an open-ended pledge, Candee found, violated the state Constitution.

"The court has no ability to sanction a way to contract around the Constitution," the 27-page ruling states. "It is clear to this court that if this contract language is validated, executive agencies of the state can contract for amounts well over the constitutional debt limit."

Concluding that all the agreements were linked, he invalidated the other contracts as well, even though he seemed to have no quibble with them.

"It certainly was not what we expected," said Kevin Kelley, spokesman for the Imperial Irrigation District, which launched the court action. "While it's clearly a cause for concern in the Imperial Valley, it's also of great concern to Southern California."

Candee set a Dec. 17 hearing for arguments on his tentative ruling, and water officials said this week's opinion was not the final word. "It is not the end of the story," said Dennis Cushman, assistant general manager of the San Diego County Water Authority. "The water is continuing to flow."

San Diego is one of the major beneficiaries of the 2003 agreement, which allows the water-rich Imperial district to sell some of its Colorado River supplies to the authority. Combined with another arrangement, the San Diego region this year is getting nearly a quarter of its supplies through transfers under the accord. Those water sales are scheduled to increase over the years.

The transfers and Salton Sea restoration are intended to help lessen California's dependence on the Colorado River.

For decades the state took more than its legal allotment in the form of surplus deliveries. It agreed to phase out that surplus use over a period of years to free up supplies for other states on the river.

The pact also called for the state to help pick up the tab for restoration of the Salton Sea, an important stop for migrating waterfowl that is fed by irrigation runoff. The water transfers will eventually decrease that runoff, raising the salinity of the sea and compounding its environmental problems.

October 22, 2009

Heat, heavy coverage hurt bird hunting


Jim Matthews, Outdoor Writer
Inland Empire Daily Bulletin


APPLE VALLEY - Upland bird hunters reported seeing good numbers of quail and chukar throughout most of Southern California's deserts and foothill regions, but rain just before the opener, then heat and heavy hunting pressure over the weekend, made for difficult conditions and low hunter success.

"At Goat Springs, there was approximately the same number of vehicles you'd find at a large car dealership," said Rick Bean of Hesperia about a popular chukar hunting spot in the West Mojave off Highway 247 between Barstow and Lucerne Valley on opening day. While Bean and his hunting partners, Matt and Debbie Gangola of Glendora, didn't bag a bird - in spite of seeing a covey with 60 or more birds - two young hunters they met near a guzzler north of Goat Springs managed to get seven chukar between them.

Chris Coston of Orange was hunting near Ord Mountain, another popular chukar spot in the West Mojave, and said there were hunters everywhere, but that most guys he spoke with had "one or two birds each."

"There were a lot of birds, a lot of birds," said Coston, who managed to bag two chukar on opening Saturday and then another pair in the same area on Sunday.

Farther north, chukar hunters in the Southern Sierra Nevada, White and Inyo mountains, along with the popular Red Mountain region, all had similar reports: lots of birds but tough hunting conditions. Several hunters complained of chukar flushing well out of range in the Rand Mountains, but the hunting pressure was very high in that area, like the West Mojave, and it was warm.

The Mojave National Preserve had an excellent hatch of quail and chukar this year, but rain apparently scattered the birds and then warm weather made hunting difficult. Most hunters reported seeing birds, but success seemed to be about only a quail per hunter, with the chukar even tougher, flushing out of range.

Ed Tolman, along with his son Andreas and father DeLoy, and Dave Hancock and Ted Werner, all of the Chino Hills area, were out in the preserve Friday and saw good numbers of quail scouting for the opener. But opening day they managed to bag only five quail between them. Werner and Andreas Tolman wore themselves out chasing chukar over some nasty terrain, seeing 120 or so birds but unable to bag a single one.

Jack Ingram of Chino managed to get six Gambel's quail in two days of hunting in the Mid Hills region of the preserve.

"The birds were hard to locate, but I did get into a couple small coveys," said Ingram on Monday.

"I had my shots and I could have taken a limit for the weekend if I were on my game. As it was, I will be grilling six up tomorrow for dinner."

In the Imperial Valley and near the Salton Sea, quail numbers were reported to be well up from the past couple seasons, but the heat made the birds difficult to hunt, especially after the coveys were scattered opening morning.

Along the lower Colorado River, there were generally pretty good reports of quail numbers from Yuma to Needles. Robert Pierce, who managed Walter's Camp south of Palo Verde, said there were a lot of birds in the desert washes this year, and he and his brother-in-law managed to get 11 birds between them on Sunday of opening weekend, after being skunked the day before.

"There were a lot of birds out there, but there are too many guys with quads who chase them on those things and then jump off and shoot them," he said.

"I'm from Texas, where you get out and walk and hunting quail behind dogs, and it's just a shame that quail season was so badly abused.

"On Sunday the quads were gone, the jeeps were gone, and we got 11 birds in four hours of hunting. All the coveys were big, massive, with 20 to 30 birds."

A number of hunters complained about unethical hunters sitting on desert water sources (you can't stay on a water source for more than 30 minutes, so wildlife can come to water) and people on quads who didn't use normal hunter etiquette.

With another warm weekend forecast, it doesn't look like the next weekend of the season will be any better than the first.


September 22, 2009

L.A. may drop plans for controversial transmission line

The DWP's proposed 85-mile-long Green Path North line through unspoiled desert and wildlife preserves was opposed by community and environmental groups. The agency may focus on other routes.


By Phil Willon
Los Angeles Times


Los Angeles officials said the city may abandon plans to build a highly controversial "green" power transmission line through unspoiled desert and wildlife preserves on a route east of the San Bernardino Mountains, focusing instead on alternative pathways mostly along an interstate highway where high-voltage lines already exist.

The Department of Water and Power's proposed 85-mile-long Green Path North transmission line has faced fierce opposition from more than a dozen community and environmental groups, creating a political chink in Mayor Antonio Villaraigosa's efforts to cast himself as the leader of the "cleanest, greenest big city in America."

The proposed transmission line, which is about to undergo federal and state environmental review, is designed to bring electricity generated by solar, geothermal, wind and nuclear power to Los Angeles from the southeastern California deserts and Arizona. Villaraigosa in July promised to end the city's reliance on high-polluting, coal-fired power plants and secure 40% of its energy from renewable sources by 2020.

At the very least, the city utility may shelve the agency's most controversial proposed route for the power corridor, which would cut through Big Morongo Wildlife Preserve north of Palm Springs, Pioneertown near Yucca Valley, Pipes Canyon Wilderness Preserve and a corner of the San Bernardino National Forest before connecting with existing DWP power lines in Hesperia.

"We've heard the concerns of the community and so we're seriously contemplating taking that off the table," DWP General Manager H. David Nahai said recently.

The Green Path North transmission line could be halted altogether -- or postponed -- because of opposition from environmental groups, concerns raised by U.S. Sen. Dianne Feinstein (D-Calif.) and the enormous costs, according to City Hall sources familiar with the project. The sources spoke on condition of anonymity because they were not authorized to publicly discuss the proposal.

The Villaraigosa administration appears to have shifted to a policy focused more on developing renewable energy sources closer to the DWP's existing power transmission lines, primarily those that stretch to Owens Valley and east toward Utah.

"We're constantly reviewing and evaluating all of our options," Nahai said.

Environmental groups and community activists were encouraged by Nahai's comments, but remain wary until the proposed transmission line through Yucca Valley is officially scuttled.

"I think that would be really good news if that were the case," said April Sall, conservation director with the Wildlands Conservancy in Oak Glen. "The Yucca Valley route would have really high environmental damage.

"If the DWP wants to validate its claims that they want a more environmental friendly face for L.A. and the DWP, this would be a step in the right direction."

Controversy over the transmission line erupted in December 2006 when the DWP identified the Yucca Valley route as its "preferred alternative," but the agency has since backed away from that statement, saying that there are seven viable routes.

The cost of building Green Path North could exceed a half-billion dollars, according to DWP estimates in 2006.

Nahai said he still firmly believes that the DWP will need new transmission capability to carry power from the Salton Sea and Imperial County, home to vast geothermal power reserves and prime terrain for solar power generation.

The DWP, the nation's largest municipal utility, already has plans for a 55-megawatt "solar farm" on 970 acres it owns near Niland, and the utility also has purchased more than 5,800 acres near the Salton Sea as possible sites for geothermal power plants.

The agency hopes to share a transmission pathway with Southern California Edison Co., which has existing transmission lines along Interstate 10, for most of the route to Los Angeles, Nahai said.

"Our preference would be, to the extent that we have transmission coming out of the Salton Sea, that that be done on a shared basis," he said.

For Green Path North, the first step in the environmental review process is expected to begin within a matter of months, during which a series of public hearings will be held throughout Southern California.

The process is being coordinated by the DWP, federal Bureau of Land Management and U.S. Forest Service, since the proposed routes traverse federally protected lands.

The DWP hopes to finish construction of Green Path North by 2014.

June 1, 2009

Flat-tailed horned lizard is between a rock and extinction

OUT THERE
The rare reptile may have one more chance, thanks to the U.S. 9th Circuit Court of Appeals.

A flat-tailed horned lizard trying to hide in the dry mustard plants in the Coachella Valley Preserve.

By Louis Sahagun
Los Angeles Times


Reporting from Palm Springs -- As the sun rose over a wind-swept stretch of desert just east of Palm Springs, Cameron Barrows tramped over a series of dunes, identifying animal tracks in the sand -- kangaroo rat, shovel-nosed snake, cottontail, pocket mouse, sidewinder rattlesnake.

It took nearly two hours to find what he was looking for in the desolate patch framed by Interstate 10, two golf courses, retirement homes, country clubs and stores: fresh tracks of a flat-tailed horned lizard, one of the rarest and most legally contested reptiles in the United States.

"This is the last corner in the Coachella Valley that still has a population of these lizards," said Barrows, a research ecologist at UC Riverside and an expert on the secretive creature with a face that resembles the parched and thorny landscape it prefers. "Nearly all of its habitat in this region has been lost since 1970."

In the latest chapter in a long-running battle to keep the lizard safe from urban encroachment, the U.S. 9th Circuit Court of Appeals recently ordered the U.S. Fish and Wildlife Service to reconsider its earlier decisions not to list it as an endangered species.

Environmentalists were elated by the ruling, which rejected a Bush administration policy they said favored development and corporate interests at the expense of the flat-tailed horned lizard and scores of other fragile plants and animals.

"This is the third time in 15 years since the lizard was first proposed for listing that a court has told the Fish and Wildlife Service to go back and review its refusal to protect it," Kara Gillon, senior staff attorney with Defenders of Wildlife, said in a statement. "We're hoping the third time is the charm. These lizards are running out of time."

The flat-tailed horned lizard is only the latest creature in recent weeks to be reconsidered for special federal protection. In response to lawsuits and petitions, the U.S. Fish and Wildlife Service has also agreed to reconsider the Tehachapi slender salamander and critical habitat for the Sonoma County population of California tiger salamander.

Over the years, federal wildlife authorities insisted that the flat-tailed horned lizard was simply hard to find and, as a result, difficult to classify as threatened by extinction.

But biologists contend the lizard continues to decline throughout its historic range in Arizona, California and Baja California. In the Coachella Valley, it has been pushed into the tiny refuge by the growing desert metropolis that stretches from Palm Springs to the Salton Sea.

A century ago, the lizard was widespread and dynamic, moving east and west with changes in climate and the availability of sand in what was then a wide-open, treeless landscape. The first waves of significant habitat loss occurred in the 1930s, '40s and '50s as a result of a boom in agriculture.

Later, its historic haunts were fragmented and destroyed by roads, off-road vehicles, light industry, suburban tracts, condominiums and commercial centers. In the Palm Springs area -- the western edges of its range -- some populations were stranded by development and disappeared.

Today, the sole remnant of the population clings to existence in a pocket of dunes, creosote and salt bush within the Coachella Valley National Wildlife Refuge, where a new, unanticipated danger threatens its future. Power poles and exotic palm trees favored by landscapers have become perches used by small falcons to spot prey and launch hunting sorties.

As a result, "flat-tailed horned lizards are no longer found on the edges of their last habitat," Barrows said. "I've suggested that the surrounding palm trees be trimmed in the spring to keep small predatory birds from nesting in them."

Striding across a trio of dunes while scanning the ground for signs of the lizard, he said, "This animal is hard to find even in the best of times. So we count their tracks, which requires a lot of patience and training."

A full day of searching on a recent Saturday yielded six tracks.

The lizard -- 3 1/2 inches long and a voracious consumer of harvester ants -- has been the focus of court battles since it was first proposed for listing in 1993.

Now, in response to legal challenges brought by a coalition of environmental groups -- the Tucson Herpetological Society, Defenders of Wildlife, the Center for Biological Diversity, the Horned Lizard Conservation Society and the Sierra Club -- the 9th Circuit Court has ordered the agency to think again about the lizard's survival.

In the meantime, it shares the sun-scorched refuge with another unique and controversial representative of Coachella Valley desert life also threatened with extinction: the fringe-toed lizard, a small reptile with a patchwork of brick-like markings and feet shaped so it can "swim" through loose sand.

Judging from the number of tracks the lizards leave etched in the sand, there many more fringe-toed lizards.

"Will the flat-tailed horned lizard survive? We don't know," said Allan Muth, a plaintiff in the lawsuit and director of the Boyd Deep Canyon Desert Research Center, south of Palm Desert.

"Small, isolated populations tend to wink out. That's why there is so much importance attached to this case."

May 2, 2009

Officials celebrate project to cut water loss on All-American Canal

After decades of planning and legal battles, a concrete lining will prevent seepage along 23 miles in the Imperial Valley.
By Tony Perry
Los Angeles Times


Reporting from Gordon's Well, Calif. -- Running through an obscure strip of isolated Imperial County, the All-American Canal rarely gets the attention of the other ditches that have shaped Southern California.

The Los Angeles Aqueduct, which brings water from the Owens Valley; the Colorado River Aqueduct, which supplies coastal Southern California; and the California Aqueduct, which brings water from Northern California, are near major population areas.

The All-American Canal brings copious amounts of Colorado River water to turn 500,000 acres of desert into some of the most productive farmland in the world.

As California struggles with drought, the 82-mile channel could be key. So on Thursday, water officials gathered at the canal to celebrate what they called a rare example of cooperation in the often contentious arena of water politics.

"This event is a big deal," said Karl Wirkus, deputy commissioner of the U.S. Bureau of Reclamation, whose motto is "Managing Water in the West."

At a patch of desert 35 miles east of El Centro and barely 50 yards north of the metal fence that separates the United States and Mexico, officials of several sometimes warring water agencies came together to celebrate the nearly completed project to line 23 miles with concrete to prevent seepage. The section was considered the leakiest part of the earthen canal.

The project is part of an agreement under which the Imperial Irrigation District, the canal's operator, grudgingly agreed to sell some of its mammoth share of the Colorado River to water-deprived San Diego County. The cost of the $300-million project was split between the state government and the San Diego County Water Authority.

Lester A. Snow, director of the California Department of Water Resources, praised more than 300 officials and others at the ceremony for overcoming numerous political, legal and financial problems when much of state government seems paralyzed. He joked that he was carrying a message from the governor: "Congratulations on finally getting something done in this state."

Lining the canal is seen as a major step toward Southern California learning to live within a "water budget" instead of looking to the Colorado River or Northern California for more water.

"The era of limits on the Colorado River imposes new expectations -- and responsibilities -- on all water users," said Brian Brady, general manager of the Imperial Irrigation District.

But less seepage from the canal will mean less water for the farmers of the Mexicali Valley, where the aquifer has been replenished for decades by the leaking water.

Lining the earthen canal is expected to save 67,700 acre-feet of water a year.

The water sales agreement between Imperial and San Diego may also mean less fresh water for the Salton Sea, which straddles Imperial and Riverside counties. Less water could mean a smaller, smellier sea, and could possibly lead to dust storms.

"In water projects, there are collateral benefits and collateral damages," said Steve Erie, water policy expert and professor of political science at UC San Diego.

Many of the Imperial Valley's farmers have never liked the water sale agreement. One group sued to block the lining, delaying construction for three years before losing. The Mexican government also sued unsuccessfully to protect Mexicali farmers.

Completed in 1942, the All-American Canal replaced a canal that traveled, in part, through Mexico. It is the longest irrigation canal in the world, according to NASA scientists who have studied satellite pictures. It captures water rushing south toward Mexico and, because much of the Imperial Valley is below sea level, the canal redirects the water north largely through the force of gravity.

The late Imperial Valley farmer-poet Richard Mealey, praising the valley's pioneers, wrote: "They built the mighty All-American, a wonder in its day / A canal that ran a river a hundred miles the other way."

By paying for the lining of the All-American Canal, the San Diego County Water Authority is being allowed to buy a share of the Imperial Irrigation District's allocation from the Colorado River; the district has rights to 70% of the state's portion of the river. Also, several bands of Indians in northern San Diego County will receive additional water to settle years of litigation over water rights.

The lining of the canal had been a dream of water officials for so long that Thursday's ceremony began with a tribute to those who died before the project was finished. Planning began in the early 1980s.

"Man, look at that: Isn't that a beautiful sight? A lined canal," Robert Johnson, former commissioner of the U.S. Bureau of Reclamation, told the gathering.

March 12, 2009

Historical Society of Palm Desert honors area artist

Works by three desert landscape painters, all over the age of 90, Carl Bray, Bill Bender and Sally Ward are featured in the show that runs through March 14.

Artist Carl Bray, 91, of Banning, autographs Lee Ulmer's photo of one of Bray's paintings she has at her Palm Desert home, as Vyrla Neal, of Coachella, looks on during a gallery show at the Palm Desert Historical Society.(Richard Lui, Palm Desert Sun)



Jamie Lee Pricer
The Desert Sun


On March 6, the Historical Society of Palm Desert honored a trio of venerable desert artists, including Carl Bray, whose Indian Wells home and studio on Highway 111 has been a valley landmark for more than 50 years.

His canvas of choice is a slab of masonite, perhaps because it is a sturdy medium when you paint in railroad yards or out in the desert.

His most popular subject is the wispy smoke tree that grows in washes.

His painting — influenced by days spent near the Salton Sea with iconic desert artists such as John Hilton, Maynard Dixon, Bill Bender and Clyde Forsythe — ranks him as a prized California artist.

His Indian Wells gallery was a Coachella Valley landmark for nearly 50 years.

Carl Bray was born in 1917 in Prague, Okla. He studied art during the Great Depression at Miami College in the Dust Bowl state, while working on farms to pay his tuition.

He moved west to find work in 1936 and landed a job with the railroad in Southern California, where he worked for more than 40 years.

He married his wife, Luella, in 1939. The young couple moved 20 miles east of Niland, little more than a lonely railroad siding. Despite the lack of creature comforts, including air conditioning, the Brays learned to love the desert, and it was here that a shy Bray met the other iconic artists.

The railroad job took Bray and his wife to the Los Angeles area during WWII, where they bought property in rural El Monte, built a house and started their family of four children.

The desert beckoned, though. In the early 1950s, Bray bought a Highway 111 frontage lot in Indian Wells for $1,000. Working weekends and vacations, he built a house and gallery, and the family moved to the desert in 1953. Their backyard, now a golf course, was once the site of one the largest Cahuilla villages in the valley, Kavinish.

At the time there was little development in Indian Wells. The Brays' neighbors included a few cabins, a dance hall, two small groceries, two gas stations, a dance hall and a café. By the early 1960s, those businesses had been demolished, and the Bray gallery remained a signal outpost for miles in either direction on Highway 111.

Bray's art was popular, and people, including a steady fan base of celebrities, stopped by the gallery regularly.

Bray continued working for the railroad while his wife ran the gallery. In the early 1960s, the Brays started to spend summers in Taos, where he had a gallery on the plaza for several years.

Bray retired from the railroad and continued to paint. He figures he's painted more than 6,500 smoke trees. Through the years, he has won dozens of art awards, demonstrated art on TV and has one-man shows throughout the nation and overseas. His paintings are owned by celebrities and held by the city of Indian Wells in its permanent collection.

The couple sold their Indian Wells property in about 2000 and moved to Banning.

Luella died a year ago, and the new owners of the Bray property lost it recently to foreclosure. It's now owned by Indian Wells, and the fate of the city's oldest building is not clear.

Ann Japenga contributed to this story.